I didn't know that Armond White felt so positively about S. Craig Zahler. It makes me wonder if vengeance is conservative-coded. And it goes along with my increasing belief that contemporary horror films, as a genre, include the highest percentage of good and great films. Horror filmmakers, by definition, are unafraid of taking enormous risks. I mean, that evisceration scene in Bone Tomahawk? Talk about revising the Western!
S. Craig Zahler is to Armond White what Paul Thomas Anderson is to everyone else. And hard agree about the tearing-the-guy-in-half scene in Bone Tomahawk, a true "how is that even possible?" moment in the theater.
Honestly think he's onto something re "Pain and Gain" — can't help but wonder what could have been...
essential corroborating evidence in the Michael Bay Is An Auteur case
I didn't know that Armond White felt so positively about S. Craig Zahler. It makes me wonder if vengeance is conservative-coded. And it goes along with my increasing belief that contemporary horror films, as a genre, include the highest percentage of good and great films. Horror filmmakers, by definition, are unafraid of taking enormous risks. I mean, that evisceration scene in Bone Tomahawk? Talk about revising the Western!
S. Craig Zahler is to Armond White what Paul Thomas Anderson is to everyone else. And hard agree about the tearing-the-guy-in-half scene in Bone Tomahawk, a true "how is that even possible?" moment in the theater.